Medea Electronique, continuing their research into myth, aim to explore the boundaries of technology and the poetics of the Digital Era, thus creating a new type of dramaturgy: The poetry of the digital era. → In a performance – score. → Prometheus in a collaboration with the French Dance Group, Cie Sébastien Perralut, and the bass baritone Marios Sarantidis. → Ιn the performance, music, poetry, dancer’s body, digital interactive technology act as versions of Promethean fire-technology
Prometheus is now free and wandering. → The gods have died → Having given the fire-technology to humans, he stands to observe: using the fire they try to live well, to move forward. Ιn the performance, music, poetry, the dancer’s body, digital interactive technology all act as versions of Promethean fire-technology. The humans now feel omnipotent. They are both players and play-things, and so the game of the world continues.
